Jasper Knight 'Bradley's Head' roar studios Her subject is obscured by

Her subject is obscured by black impressions

and the Sulman Prize in 2008

Even though the gift card is electronic

As she often is

He applies a Warholian lens to emphasize how the ‘Mona Lisa’ has been commodified

Jasper Knight 'Bradley's Head' roar studios Her subject is obscured byJasper Knight takes after pop masters of the past. Rather than starlets however, he pictures icons of decaying industry beams, machinery, buildings and lighthouses. Found on the citys outskirts, these images trade in a strange dichotomy: urban detritus rendered in oozing, technicolour excess. Bradleys Head is quintessential Knight. He pictures the lighthouse that overlooks Sydney Harbour from below, creating a sense of awe. Like the crumbling statues