Time Weft - Joseph Yaeger only admitting “the weird and

only admitting “the weird and wonderful”

Youkilis’s work springs from an attitude

in baths and in libraries

Holman argues for O'Hara's sense of exuberant continuity between life as a writer and a curator

It highlights the print industry’s inequalities and proposes a takeover of the history of the book

Time Weft - Joseph Yaeger only admitting “the weird andTime Weft, being made of language, speaks, in a manner of speaking, for itself. It is comprised of prose poetic texts split into two parts describing existence in the weft. Another way of saying this would be: describing life and its complexities; an acknowledgement of a, and the, recurring past. Around and within these text bodies is a prologue, an intermission, and an epilogue, which describe a fictionalised account of the artists death, told